The resulting effect is a vibrant and imaginative urban landscape that allows visitors to experience the city’s unique and diverse culture through its architectural history.
#SFAC#publicart@SFACThis tweet was posted on December 27, 2022.
The sculpture may be interpreted in many ways, but the suggestion of immateriality—a frozen moment before a totally new form emerges—is the artist’s objective.
#PublicArt#SFAC#KendallBusterThis tweet was posted on September 15, 2023.
The suspended shapes create an illusion that the forms have decompressed and expanded and that the two visible sculptures might be fragments of a larger mysterious mass, like clouds. #PublicArt#SFAC#KendallBusterThis tweet was posted on September 15, 2023.
The work creates the impression of a landscape drifting in and out of visibility through clouds, or slowly becoming subsumed by a descending marine layer. #AAPIHM#JacobHashimoto@SFACThis tweet was posted on May 09, 2022.
The workman’s glove holds the world in its palm - a statement about the value of work and creativity.
#SFAC#ViolaFreyThis tweet was posted on August 15, 2023.
These objects are rendered in an uncanny fashion with a sense of play, emotional intuition, and surrealism that provokes viewers to reimagine themselves and the way they see the world around them. #WoodyDeOthello#publicart#SFAC@SFACThis tweet was posted on January 28, 2022.
Using his handmade palm fiber brush, Fong applied acrylic paint to crumpled squares of mulberry paper. Then he transferred the paint from the distressed paper to the canvas, revealing his autographic “crackling” surface.
#FongChungRay#APAHM#AAPIHeritageMonth#AAPIHM@SFACThis tweet was posted on May 09, 2023.
Viola Frey was born on this day Lodi, California in 1933. Frey primarily worked in the San Francisco Bay Area.
Frey has created a vocabulary of figures and objects that form a personal mythology. #SFAC#ViolaFreyThis tweet was posted on August 15, 2023.
What every art lover's library needs! New book on the 80 year history of sfac! http://t.co/L5TlodGhz7This tweet was posted on April 29, 2013.
When #NatalyaBurd took a train ride from her home in Bishkek, Kyrgyzstan, to Moscow, Russia, to attend art school, she remembered seeing varied landscapes whiz by in cinematic fashion—from sculpted mountain ranges to vast forests and dusty roadsides. #SFAC#MuseumFromHomeThis tweet was posted on August 11, 2020.
When Natalya Burd was in her last year in high school, she took a train ride with her father from their home in Bishkek, Kyrgyzstan to Moscow, Russia. There, the artist would compete for a scholarship to attend a university level art school. @sfac #5WomenArtistsThis tweet was posted on March 25, 2024.
When Natalya Burd was in her last year in high school, she took a train ride with her father from their home in Bishkek, Kyrgyzstan, to Moscow, Russia.
This image was posted on August 11, 2020.
#sfac#museumfromhome#publicart
When Natalya Burd was in her last year in high school, she took a train ride with her father from their home in Bishkek, Kyrgyzstan, to Moscow, Russia.
This image was posted on August 11, 2020.
#sfac#museumfromhome#publicart
When Natalya Burd was in her last year in high school, she took a train ride with her father from their home in Bishkek, Kyrgyzstan, to Moscow, Russia.
This image was posted on August 11, 2020.
#sfac#museumfromhome#publicart
With characteristic wit and irony, Hudson's canvases play with creating visual contradictions between three-dimensional illusion and flat, two-dimensional space. #RobertHudson#PublicArt#Painting#SFACThis tweet was posted on January 06, 2023.
‘Forever in the Sky’ by Canadian-Iranian artist Sanaz Mazinani is a series of photographic montages of clouds over San Francisco. In these photos, the sky is intermingled with iconic SF landmarks, and infused with Persian motifs to make complex portraits. #publicart@SFACThis tweet was posted on March 05, 2019.
“Air Over Under” is comprised of a grid of 120 pieces of laminated glass panels. The laminated panels are comprised of a layer of glass with hand-painted glass enamels and another layer that includes a silkscreened pixilated image in white. #PublicArt#NorieSato@SFACThis tweet was posted on July 19, 2022.
“Bay Area Victorian, Bay Area Deco, Bay Area Funk” by Joyce Kozloff, who was born #onthisday in 1942, is inspired by historical decorative styles found in the Bay Area.
This image was posted on December 14, 2021.
#publicart#sfac#mosaic#hbd
“Beyond When the Golden Portal Can Come” and “Ghost Extraction Dialogue for the Followers of Blood” by Shaun O’Dellg are on display, post-security, in Harvey Milk Terminal 1. https://t.co/afFpeyBlfv
#PublicArt#ShaunODell@SFACThis tweet was posted on November 08, 2022.
“Continuous City” is an immersive installation that allows travelers to see themselves reflected in San Francisco’s dynamic past and present.
This image was posted on December 27, 2022.
#sfac#publicart#sanfrancisco
“Green Map” by Ellen Harvey inverts the traditional idea of a map to highlight the region’s green space. A small gold circle indicates the location of the Grand Hyatt Hotel and @flysfo. Visitors are encouraged to explore the surrounding natural wonders.
#publicart@SFACThis tweet was posted on July 05, 2022.
“Long Arc of Day” is emblematic of Kim Anno's artistic practice, which reimagines the study of nature in the face of climate change.
#publicart@SFACThis tweet was posted on December 19, 2023.
“Namoo” is a Korean word that implies nature. The title of “Namoo House” by Joyce Hsu suggests that the airport fuses science, nature, and imagination to become the transit home for all travelers. #JoyceHsu#APAHM#AAPIHeritageMonth#AAPIHM#publicart@SFACThis tweet was posted on May 02, 2023.