@SFOMuseum Twitter Posts Tagged publicart This is SFO Museum's archive of the @SFOMuseum Twitter account. There are 230 posts and this is page 1 of 20. See all the tags or all the Twitter posts that have been archived so far.

See “Love Letters” by Enrique Chagoya on display, post-security, in the International Termina above gate A10 and online at: https://t.co/5m2PTjzc5M #PublicArt #SFAC This tweet was posted on September 18, 2024.

There are poems by Sor Juana Inés de la Cruz (Mexican, 1648-1695), Emily Dickinson (American, 1830-1886), Arthur Rimbaud (French, 1854-1891), Pier Paolo Pasolini (Italian, 1922-1975), and Saigyo (Japanese, 1118-1190). #PublicArt #SFAC This tweet was posted on September 18, 2024.

Included are a contemporary Filipino proverb, a traditional Lakota (Native American) song, a song from the Yuen Fu genre (Chinese, 221-205 B.C.), and “I love you” in American sign language. #PublicArt #SFAC #NationalHispanicHeritageMonth This tweet was posted on September 18, 2024.

Paper boats decorated with the poetry of many cultures are set adrift on the water in “Love Letters” by Enrique Chagoya. #PublicArt #SFAC #LatinxHeritageMonth This tweet was posted on September 18, 2024.

See “Greeting a Totem” and “Torso” by Marc Katano pre-security in Terminal 2 and online at: https://t.co/Nk8IWYUPC4 #MarcKatano #publicart @SFAC This tweet was posted on August 20, 2024.

Katano continues, "I use the simplest, most natural movements of the hand and arm to reflect the physical activity of mark making. Each line and form represents nothing more than its own creation, and each piece finds meaning in the harmony of its own structure.” #publicart @SFAC This tweet was posted on August 20, 2024.

Born in Tokyo, Marc Katano graduated from the California College of the Arts in Oakland, CA with distinction in 1975. His work combines the grace of traditional calligraphic brush work with the gestural energy of Abstract Expressionism. #MarcKatano #publicart @SFAC This tweet was posted on August 20, 2024.

Katano says, “[t]he basis of my work is the act of inscription. While my compositions are organic in form, they are not intended to emulate nature. Instead, they are inspired by the physicality of human expression, such as the precise motions of Japanese calligraphy." #PublicArt This tweet was posted on August 20, 2024.

Perceptions of volume and structure shift as the light changes throughout the day, and as the viewer moves around the work. #SFAC #TahitiPehrson #publicart This tweet was posted on August 06, 2024.

Using moiré patterns that reference the realms of mathematics, arts and crafts, “Circadian Transit” by Tahiti Pehrson explores the interplay between light, shadow and architectural space. #SFAC #TahitiPehrson #publicart This tweet was posted on August 06, 2024.

With paper and X-Acto blades, Tahiti Pehrson hand-cuts intricately patterned forms that speak to universal traditions of pattern making found throughout history. #SFAC #TahitiPehrson #publicart This tweet was posted on August 06, 2024.

See “Here You Are / Are You Here” by Paul Madonna, on display, in the post-security connector between Terminal 2 and Terminal 3 and online at: https://t.co/7Kq26Yvbbe #SFAC #PublicArt #PaulMadonna This tweet was posted on July 02, 2024.