Search results for @SFAC

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In "Impossibly," the words “possible,” “possibly” and “impossible” easily shift from optimism to pessimism and back again. In each of these text-based works, we are asked to alter our initial interpretation and consider multiple perspectives at once. @sfac #BlackHistoryMonth This tweet was posted on February 27, 2024.
In "They are Us, Us is Them," the phrase alters between third person and first person perspective, forcing us to question the artificial boundaries that separate us from one another. @sfac #BlackHistoryMonth This tweet was posted on February 27, 2024.
See “MMXX” by Alicia McCarthy on display, post-security in the International Terminal. https://t.co/39U5hDm2R4 #AliciaMcCarthy #5WomenArtists #WomensHistoryMonth #SFAC @SFAC This tweet was posted on March 06, 2024.
For instance, the suited businessman is a symbol of mainstream respectability, often contrasted with bold, vividly dressed women. #SFAC #ViolaFrey This tweet was posted on August 15, 2023.
See “World Civilization” by Viola Frey on display, post-security, in the International Terminal. https://t.co/FqEoHraRUZ @SFAC #SFAC #ViolaFrey This tweet was posted on August 15, 2023.
The grandmother figure is a maternal icon of power inspired by the “take charge” matriarchs in her hometown during World War II. #SFAC #ViolaFrey This tweet was posted on August 15, 2023.
The workman’s glove holds the world in its palm - a statement about the value of work and creativity. #SFAC #ViolaFrey This tweet was posted on August 15, 2023.
Viola Frey was born on this day Lodi, California in 1933. Frey primarily worked in the San Francisco Bay Area. Frey has created a vocabulary of figures and objects that form a personal mythology. #SFAC #ViolaFrey This tweet was posted on August 15, 2023.
“Topograph I & II” by Kendall Buster consists of two conversant forms suspended on either side of the mezzanine above the departure lobby of Terminal 2. #PublicArt #SFAC #KendallBuster This tweet was posted on September 15, 2023.
“Topograph I & II” by Kendall Buster reflects the artist’s ongoing interest in the merging of natural and built environments and her investigations into forms that operate at once as landscape and architecture. #PublicArt #SFAC #KendallBuster This tweet was posted on September 15, 2023.
See “Topograph I & II” by Kendall Buster on display, pre-security, in Terminal 2 and online at: https://t.co/WTJ6HUQgoz #PublicArt #SFAC #KendallBuster This tweet was posted on September 15, 2023.
The sculpture may be interpreted in many ways, but the suggestion of immateriality—a frozen moment before a totally new form emerges—is the artist’s objective. #PublicArt #SFAC #KendallBuster This tweet was posted on September 15, 2023.
The suspended shapes create an illusion that the forms have decompressed and expanded and that the two visible sculptures might be fragments of a larger mysterious mass, like clouds. #PublicArt #SFAC #KendallBuster This tweet was posted on September 15, 2023.
#MiguelArzabe collects and repurposes printed promotional material (posters, flyers, brochures, etc.) from art exhibitions he has attended. He often has a personal connection to the artist whose work is depicted therein. @SFAC #publicart #NationalHispanicHeritageMonth This tweet was posted on September 27, 2023.
#MiguelArzabe’s weaving process is an homage to the textile tradition of his Andean heritage (Bolivia). He creates his own patterns inspired by Andean motifs that describe the environment and mythology of a particular region. @SFAC #publicart #NationalHispanicHeritageMonth This tweet was posted on September 27, 2023.
In “Cultural Fabric (Bay Area)”, #MiguelArzabe created a digital collage of collected images from Bay Area art exhibitions. The imagery was sourced from exhibition materials featuring work by Lisa K. Blatt, Hung Liu, Sofie Ramos, and Leo Valledor. @SFAC #publicart This tweet was posted on September 27, 2023.
“Cultural Fabric (Bay Area)” by Miguel Arzabe located pre-security, on level two of the Grand Hyatt and online at: https://t.co/GnFNvuQbXu @SFAC #publicart #MiguelArzabe #NationalHispanicHeritageMonth This tweet was posted on September 27, 2023.
See “So much more than this” by Natalya N. Burd, on display, pre-security, in the Grand Hyatt Hotel, Level 2 and online at: https://t.co/vVE83RtXb3 @sfac #5WomenArtists #WomensHistoryMonth This tweet was posted on March 25, 2024.
That journey would have a major impact on Burd and her artistic practice for years to come. “So much more than this” is an example of a work inspired by this journey. @sfac #5WomenArtists #WomensHistoryMonth This tweet was posted on March 25, 2024.
When Natalya Burd was in her last year in high school, she took a train ride with her father from their home in Bishkek, Kyrgyzstan to Moscow, Russia. There, the artist would compete for a scholarship to attend a university level art school. @sfac #5WomenArtists This tweet was posted on March 25, 2024.
Over the course of their 2,000-mile, four-day journey, Burd remembers seeing varied landscapes whiz by in cinematic fashion—from the sculpted mountain ranges of her homeland to the vast forests of Russia and the dusty roadsides along the way. @sfac #5WomenArtists This tweet was posted on March 25, 2024.
See “No Other Lands Their Glory Know” by Alice Shaw on display, post-security, in the International Terminal above Gate G7 and online at: https://t.co/YSTidQBGE0 📸 © Ethan Kaplan #PublicArt #EarthMonth #SFAC #AliceShaw This tweet was posted on April 01, 2024.
“No Other Lands Their Glory Know” by Alice Shaw is a photographic image of a redwood forest on Mount Tamalpais in Marin County, California just north of San Francisco. 📸 © Ethan Kaplan #PublicArt #EarthMonth #SFAC #AliceShaw This tweet was posted on April 01, 2024.
Happy Earth Day! This image was posted on April 22, 2024. #sfac #publicart #markadams #earthday #embrodery #tapestry #aubussonstyle
Happy 415 Day! This image was posted on April 15, 2024. #sfac #publicart #emilyfromm #mosaic
“No Other Lands Their Glory Know” by Alice Shaw is a photographic image of a redwood forest on Mount Tamalpais in Marin County, California just north of San Francisco. This image was posted on April 01, 2024. #publicart #earthmonth #sfac #aliceshaw
When Natalya Burd was in her last year in high school, she took a train ride with her father from their home in Bishkek, Kyrgyzstan to Moscow, Russia. This image was posted on March 25, 2024. #sfac #publicart #5womenartists #womenshistorymonth
Every March, SFO Museum highlights women artists for International Women’s History Month using the hashtag #5WomenArtists. This image was posted on March 06, 2024. #aliciamccarthy #5womenartists #womenshistorymonth #sfac
Hank Willis Thomas uses language and the form of the lenticular print to challenge our subjective perspective. This image was posted on February 27, 2024. #blackhistorymonth #sfac #publicart #hankwillisthomas #language #lenticular
In an era of digital technology and one-click ease, John Chiara prefers a complex, analog approach to making photographs. This image was posted on January 19, 2024. #publicart #sfac #johnchiara #cameraobscura #waterfront #coastline
Harvey Milk Terminal 1 passengers, have you seen “Hyper-Natural Bay Area” by artist Robert Minervini? The mosaic considers what defining characteristics make a city distinctive and offers a window onto Minervini’s version of San Francisco. #PublicArt @SFAC This tweet was posted on April 13, 2023.
Native and exotic plant life, along with vessels and other forms represent the many cultures and people that shape the Bay Area as a unique place. #PublicArt #RobertMinervini @SFAC © Ethan Kaplan Photography This tweet was posted on April 13, 2023.
See “Hyper-Natural Bay Area” by Robert Minervini located, post-security, in Harvey Milk Terminal 1 and online at: https://t.co/cn4cUu8rC3 #PublicArt #RobertMinervini @SFAC #EarthMonth This tweet was posted on April 13, 2023.
The City’s familiar skyline includes the iconic Golden Gate Bridge and Transamerica Pyramid. However, they appear alongside newer towers and constructions of an imagined future. #PublicArt #RobertMinervini @SFAC © Ethan Kaplan Photography This tweet was posted on April 13, 2023.
Joyce Hsu is a Bay Area artist best known for her mechanized creatures that inhabit a fantasy world of the artist’s creation. #JoyceHsu #APAHM #AAPIHeritageMonth #AAPIHM #publicart @SFAC This tweet was posted on May 02, 2023.
See "Namoo House” by Joyce Hsu post-security in International Terminal A and online at: https://t.co/BNpmPynPvd #JoyceHsu #APAHM #AAPIHeritageMonth #AAPIHM #publicart @SFAC This tweet was posted on May 02, 2023.