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Napoleon’s Egyptian campaign (1798–1801) ignited a fascination with ancient Egypt that continued into the Victorian era, when the Egyptian Revival design style permeated decorative arts. This ebonized and polychromed pedestal with its painted lotus flowers provides a striking example of the style; the pedestal and wallpaper serve as perfect and elaborate compliments to each other. The use of metallic ink on the paper lend a dramatic glow to the wall. Special thank you to @bradburywallpaper for making this exhibition possible. “The Victorian Papered Wall” is on display pre-security in the International Terminal and online at: https://bit.ly/VictorianPaperedWall
This image was posted on August 17, 2022.
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The individual patterns of this Persian ceiling paper set were drawn and adapted from examples of the Persian and Indo-Persian patterns depicted in Albert Racinet’s compendium “L’Ornement Polychrome,” published in installments between 1869 and 1873.
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The individual patterns of this Persian ceiling paper set were drawn and adapted from examples of the Persian and Indo-Persian patterns depicted in Albert Racinet’s compendium L’Ornement Polychrome, published in installments between 1869 and 1873.
This image was posted on August 24, 2022.
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Reproducing historic wallpaper is no easy feat.
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English architect and designer Augustus W. N. Pugin (1812–52) embraced Gothic as the only true design style.
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William Burges (1827–81), a nineteenth-century British architect, interior designer, and furniture designer, emerged as an eccentric proponent of the Gothic Revival in mid-nineteenth-century Britain.
This image was posted on January 19, 2022.
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Christian Herter (1839–83) arrived in New York from Germany in 1859 and became a full partner in his brother Gustave’s firm in 1864, forming Herter Brothers.
This image was posted on May 25, 2022.
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The Victorian Era (1837–1901) ushered in a dizzying array of design styles.
This image was posted on January 04, 2023.
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“Why not then, have beautiful ceilings, especially as they can be seen complete, while the wall is part hidden by furniture and pictures?….We glory in a clear blue sky overhead, and we speak of the sky as increasing in beauty as it becomes deeper in tint…Why then make our ceilings white?” -Christopher Dresser (1834–1904) Christopher Dresser realized a future in which high-quality design could merge with machine production.
This image was posted on July 27, 2022.
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