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“Early morning and looking out of the airplane window, watching as the mist rises from the peaks and valleys below. Sunlight filters through the moisture, creating discrete layers of mountains—monochromatic and shifting with the movement of the sun, the atmosphere, and of me, flying above.” —Vanessa Marsh, 2019 "The Sun Beneath the Sky" continues Vanessa Marsh’s long-term practice of using cut paper, multiple exposures, and dodging and burning techniques to create cameraless photographic landscapes. Each unique lumen print is made by selectively exposing silver gelatin paper to sunlight and then processing the paper in photo chemicals to affix the image. In this way, the artist uses sunlight as both subject matter and medium. See "The Sun Beneath the Sky" by Vanessa Marsh, on display, post-security in Terminal 3. http://bit.ly/2CiWxqi
This image was posted on March 25, 2019.
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“Early morning and looking out of the airplane window, watching as the mist rises from the peaks and valleys below.
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“Early morning and looking out of the airplane window, watching as the mist rises from the peaks and valleys below.
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From 1997 to 2002, Richard Misrach photographed the Golden Gate Bridge from the front porch of his house in the Berkeley Hills.
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From 1997 to 2002, Richard Misrach photographed the Golden Gate Bridge from the front porch of his house in the Berkeley Hills.
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This post mentions the following things involved with the SFO Museum collection:
Vanessa Marsh: Everywhere All At Once
This photography exhibition was on display between February 2016 and May 2016 in the F-11 Photographs gallery, located in Terminal 3