Richard Diebenkorn was a California-based painter and printmaker who spent much of his renowned career in the Bay Area. He is most known for his Ocean Park series (1967–1988) that brought him international acclaim. #RichardDiebenkorn#publicart#EtchingThis tweet was posted on April 21, 2022.
See “Beyond When the Golden Portal Can Come“ and “Ghost Extraction Dialogue for the Followers of Blood” on display post-security in Harvey Milk Terminal 1 and online at: https://t.co/afFpeyjc1n
#ShaunODell#etching#publicart#SFAC@SFACThis tweet was posted on November 08, 2021.
O’Dell goes on to complicate the American family tree in “Ghost Extraction Dialogue for the Followers of Blood”, highlighting that history is full of overlapping stories of individuals, who slip into obscurity.
#ShaunODell#etching#publicart#SFAC@SFACThis tweet was posted on November 08, 2021.
In “Beyond When the Golden Portal Can Come”, O’Dell maps American genealogy, beginning with the pilgrims’ desire for liberty and the Mayflower’s voyage across the Atlantic, which led to contact with Native Americans. #ShaunODell#etching#publicart#SFAC@SFACThis tweet was posted on November 08, 2021.
For this suite of prints, Shaun O’Dell uses simplified icons of American history—liberty bells and silhouettes of the founding fathers—to depict the complexity of the past. #ShaunODell#etching#publicart#SFAC@SFACThis tweet was posted on November 08, 2021.
See “Untitled” by Margaret Kilgallen on display post-security on the departures level of Harvey Milk Terminal 1 and online at: https://t.co/n3WJYHofOv #MargaretKilgallen#etchingThis tweet was posted on October 28, 2021.
Touchstones in her work are the monikers and images that stand in for the unsung heroines of overlooked subcultures, women whose triumphs were on the fringes of the mainstream. #MargaretKilgallen#etchingThis tweet was posted on October 28, 2021.