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Using the language of cartography, Lordy Rodriguez reimagines six iconic San Francisco neighborhoods as independent countries in his work “Strangerhood.” #AAPIHM #LordyRodriguez #publicart #SanFrancisco @SFAC This tweet was posted on May 17, 2022.
@bettymcniel @SFAC Hi! You are correct, it is located near baggage claim in Terminal 3. This is the permanent location for this piece of art. Thanks for asking! https://t.co/uvvuh8QO9e This tweet was posted on May 17, 2022.
In his artwork, Rodriguez explores the identity of place, encouraging the viewer to think about the signifiers of place and how they influence our perception and experience of San Francisco neighborhoods. #AAPIHM #LordyRodriguez #publicart #SanFrancisco @SFAC This tweet was posted on May 17, 2022.
See “Strangerhood” by Lordy Rodriguez on display, pre-security, on the arrivals level of Terminal 3, and online at: https://t.co/uvvuh8QO9e #AAPIHM #LordyRodriguez #publicart #SanFrancisco @SFAC This tweet was posted on May 17, 2022.
“Green Map” by Ellen Harvey inverts the traditional idea of a map to highlight the region’s green space. A small gold circle indicates the location of the Grand Hyatt Hotel and @flysfo. Visitors are encouraged to explore the surrounding natural wonders. #publicart @SFAC This tweet was posted on July 05, 2022.
See “Green Map” by Ellen Harvey, on display, pre-security, on the first level of the Grand Hyatt at SFO. https://t.co/izglNebxZI #publicart #EllenHarvey @SFAC This tweet was posted on July 05, 2022.
RT @SFAC: 🤩the first images from @NASA's #JamesWebbSpaceTelescope are stunning! Reminds us of 'Orion' by Spencer Finch, 2018, at Harvey Mil… This tweet was posted on July 13, 2022.
Norie Sato’s imagery was inspired by our relationship to clouds and flight. Specifically, her work delves into some of flight’s inherent qualities: ephemeral, abstract, pictorial, natural, man-made, symmetrical and changeable. #PublicArt #NorieSato @SFAC This tweet was posted on July 19, 2022.
See “Air Over Under” by Norie Sato on display, pre-security, on the façade of Terminal 2 or online at: https://t.co/TImXJXw18m #PublicArt #NorieSato @SFAC This tweet was posted on July 19, 2022.
The artwork depicts the dual experience of being under or over clouds when flying in a plane. According to the artist, Norie Sato, “’Air Over Under’ is about perception, relativity and how our position and situations are never static.” #PublicArt #NorieSato @SFAC This tweet was posted on July 19, 2022.
“Air Over Under” is comprised of a grid of 120 pieces of laminated glass panels. The laminated panels are comprised of a layer of glass with hand-painted glass enamels and another layer that includes a silkscreened pixilated image in white. #PublicArt #NorieSato @SFAC This tweet was posted on July 19, 2022.
Happy Birthday to Mark Adams, who was born #onthisday in 1925 in Fort Plain, New York. Early in his career, Adams established himself as a tapestry and stained-glass designer. https://t.co/HZAA8iR580 #PublicArt #MarkAdams #SFAC This tweet was posted on October 27, 2022.
“Pond in Golden Gate Park,” “Garden in San Andreas Valley,” and “Garden Outside Gate” are woven in the traditional Aubusson Style. The tapestries represent various gardens #MarkAdams remembers from his years living in the Bay Area. https://t.co/7XMZV6q3RB #PublicArt #SFAC This tweet was posted on October 27, 2022.
Happy Birthday, Bob Zoell! The artist, born on this day in 1940, completed “BFILRYD” in the connector between Terminal 3 and the International Terminal in 2009. #BobZoell #publicart #SFAC @SFAC This tweet was posted on April 13, 2022.
See “BFILRYD” by Bob Zoell on display in the post-security connector between Terminal 3 and the International Terminal side G and online at: https://t.co/Qb8fufaGTP #BobZoell #publicart #SFAC @SFAC This tweet was posted on April 13, 2022.
According to the artist, “Air Over Under” is about perception, relativity and how our position and situations are never static.”#5WomenArtists #NorieSato #Painting #silkscreen #PublicArt @SFAC This tweet was posted on March 10, 2022.
Norie Sato’s imagery was inspired by our relationship to clouds and flight. The artwork depicts the dual experience of being under or over clouds when flying in a plane.#5WomenArtists #NorieSato #Painting #silkscreen #PublicArt @SFAC This tweet was posted on March 10, 2022.
See “Air Over Under” by Norie Sato on display, pre-security, outside Terminal 2 and online at: https://t.co/TImXJXw18m #5WomenArtists #NorieSato #Painting #silkscreen #PublicArt @SFAC This tweet was posted on March 10, 2022.
#Onthisday in 1948, artist Hung Liu was born in Changchun, China. Liu's signature painterly style was one that allowed the paint to drip across the image. https://t.co/LpTLyXB2MC #HungLiu #SFAC #PublicArt This tweet was posted on February 17, 2022.
As an artist, Raymond Saunders relies on his own keen observations and experiences: “The important thing about doing art is that I also live… and the more I bring into myself, the more I have a desire and need to translate it into something.” #publicart #RaymondSaunders @sfac This tweet was posted on February 18, 2022.
"Letter's Missing” is representative of the artist’s dramatic use of color, gestural strokes, elegant line, and the collaged remnants of everyday life to provide compositional, textural, and spatial contrasts. #publicart #RaymondSaunders @sfac #SFAC #BlackHistoryMonth This tweet was posted on February 18, 2022.
See “Letter's Missing” by Raymond Saunders on display, post-security, in Terminal 3, and online at. https://t.co/VJj7jBslKN #publicart #RaymondSaunders @sfac #SFAC #BlackHistoryMonth #BHM This tweet was posted on February 18, 2022.
Louisiana Bendolph is a quilt maker known for her stunning abstractions. Originally a quilt, then an etching, and here translated into ceramic tile, this artwork depicts an innovative approach to a quintessentially American art form. #publicart #LouisianaBendolph @SFAC This tweet was posted on February 04, 2022.
See “New Generation” by Louisiana Bendolph on display post-security in Terminal 3 and online at: https://t.co/3Gq4sMBuLx #publicart #LouisianaBendolph @SFAC This tweet was posted on February 04, 2022.
After applying for the sculpture opportunity at SFO, he was selected and created three medium size sculptures for International Terminal Boarding Area G. #WoodyDeOthello #publicart #SFAC @SFAC This tweet was posted on January 28, 2022.
His first time working in bronze, "Time, Turn, and Light" depict ambiguous sets of hands interacting with everyday objects such as clocks, a flashlight, a candle, and a doorknob. #WoodyDeOthello #publicart #SFAC @SFAC This tweet was posted on January 28, 2022.
See "Time, Turn, and Light" by Woody De Othello, on display, post-security, in the Outdoor Terrace Observation Deck on the departures level of the International Terminal G Concourse. https://t.co/dXXKlG0CS1 #WoodyDeOthello #publicart #SFAC @SFAC This tweet was posted on January 28, 2022.
These objects are rendered in an uncanny fashion with a sense of play, emotional intuition, and surrealism that provokes viewers to reimagine themselves and the way they see the world around them. #WoodyDeOthello #publicart #SFAC @SFAC This tweet was posted on January 28, 2022.
#Onthisday in 1940, Vito Acconci was born in New York City’s Bronx borough. Acconci began his artistic career as a poet, and came to national prominence in the early 1970s as an artist working in performance and conceptual art. #PublicArt #VitoAcconci @SFAC This tweet was posted on January 24, 2022.
Acconci’s work is often characterized by a direct involvement of the viewer as an element in the artwork. At the end of each “light beam” in “Light Beams for the Sky of a Transfer Corridor” is a functional telephone. #PublicArt #VitoAcconci @SFAC This tweet was posted on January 24, 2022.
Along this corridor on the departures level of the International Terminal, sculptural beams of light splay out from the recessed lighting in the ceiling above and transverse the length of the corridor, like rays of light. #PublicArt #VitoAcconci @SFAC This tweet was posted on January 24, 2022.
See “Light Beams for the Sky of a Transfer Corridor” by Vito Acconci, located, pre-security, on the departures level of the International Terminal. https://t.co/D3DORlidNK #PublicArt #VitoAcconci @SFAC This tweet was posted on January 24, 2022.
Happy 101st Birthday to Wayne Thiebaud, who was born #onthisday in 1920! In the early 1960s, Thiebaud was acclaimed as one of the defining practitioners of Pop Art and has continued to be considered one of California’s most important and influential artists. #publicart @SFAC This tweet was posted on November 15, 2021.
See “18th Street Downgrade” by Wayne Thiebaud on display, next to work by fellow luminaries Robert Bechtle and James Torlakson, pre-security in Terminal 3 and online at: https://t.co/6lo42DRBIf #WayneThiebaud #SFAC #publicart #painting #SanFrancisco @SFAC This tweet was posted on November 15, 2021.
For this suite of prints, Shaun O’Dell uses simplified icons of American history—liberty bells and silhouettes of the founding fathers—to depict the complexity of the past. #ShaunODell #etching #publicart #SFAC @SFAC This tweet was posted on November 08, 2021.
In “Beyond When the Golden Portal Can Come”, O’Dell maps American genealogy, beginning with the pilgrims’ desire for liberty and the Mayflower’s voyage across the Atlantic, which led to contact with Native Americans. #ShaunODell #etching #publicart #SFAC @SFAC This tweet was posted on November 08, 2021.