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"I felt that the nature of my craft and the romance of precious metals gave me an opportunity to design pieces that added delight, surprise, intrigue and even amusement to what had become austere and even sterile within the ‘modern’ idiom of design." - Stuart Devlin (1931–2018) Figured coffee service [detail] 1975 Stuart Devlin (1931–2018) London sterling silver, parcel-gilt The Pearson Silver Collection L2018.1801.055.01 Special thanks to The Pearson Silver Collection. "A Sterling Renaissance: British Silver Design 1957 to 2018" is on display, pre-security, in the International Terminal. http://bit.ly/BritishSilver
This image was posted on October 16, 2018.
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After submitting drawings, plans, and digital renderings, Rowan Berry (b.
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"Behind the world of the artisan is…that desire to take an inanimate material, and bring it to life in a form or image that will sing out; that desire to pay homage to my surroundings, to my creativity; that thanksgiving to that first bite into the apple of awareness."
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"When invited to exhibit at the inaugural "Elements" silver show in Edinburgh…my memories of the Periodic Table hung in my science classroom…sparked the idea to use them as the basis for my piece, executed with a mixture of precision and freedom that I hope characterizes all my work."
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Ndidi Ekubia is a graduate of London’s Royal College of Art.
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Rod Kelly’s pair of Carp vases, completed in 1987 for Garrard and Company, was the artist’s first major commercial commission.
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"In recent months, I have been moving closer to traditional silversmithing, but I'm still keen to combine this with advanced technology…to bridge the gap between the two different approaches so that they become integrated, with the finished work having a natural feel without any hint of fabrication."
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Victorian silver plate designers often combined elements of Gothic, Rococo, and Italian Renaissance styles with Greek and Egyptian Revival influences to create contemporary interpretations of historical styles.
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