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"When invited to exhibit at the inaugural "Elements" silver show in Edinburgh…my memories of the Periodic Table hung in my science classroom…sparked the idea to use them as the basis for my piece, executed with a mixture of precision and freedom that I hope characterizes all my work." - Karen Wallace (b. 1984) Tumbler cup 2015 Edinburgh Britannia silver, parcel-gilt The Pearson Silver Collection L2018.1801.034 Special thanks to The Pearson Silver Collection. "A Sterling Renaissance: British Silver Design 1957 to 2018" is on display, pre-security, in the International Terminal. http://bit.ly/BritishSilver
This image was posted on November 27, 2018.
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Jane Short studied jewelry at London’s Central School of Art and Design and was introduced to enameling by her instructor Patrick Furse (1918–2005) during her second year of coursework.
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"I see my work as a continual exploration into the possibilities within the technique of enameling and indulging the wonderful range of colors available to me.
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Rod Kelly’s pair of Carp vases, completed in 1987 for Garrard and Company, was the artist’s first major commercial commission.
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Martyn Pugh is a designer-silversmith who is known for creating modern forms with graceful and flowing lines.
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Martyn Pugh is a designer-silversmith who is known for creating modern forms with graceful and flowing lines.
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Tara Coomber hand-raised many of Martyn Pugh’s designs from 1999 to 2004.
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After submitting drawings, plans, and digital renderings, Rowan Berry (b.
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This is the last week to see “A Sterling Renaissance: British Silver Design 1957 to 2018.” Starting in 1957 with Gerald Benny and continuing with contemporary, twenty-first century artists, “A Sterling Renaissance” features over 100 pieces of British silver from the last seventy years.
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