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Tara Coomber hand-raised many of Martyn Pugh’s designs from 1999 to 2004. To acknowledge her work, Pugh engraved the words “Tara Coomber helped make me” in discreet places on several pieces. Coomber’s personal output includes a range of bold and delicate designs, with an emphasis on simplicity of line. The artist’s superb craftsmanship is apparent in her exhibited boxes. Coomber’s Ammonite box, made for a desktop, is quite tactile and brilliantly incorporates a cross-section of a fossil for the ribbed, spiral-formed shell of the ancient sea creature. Among Coomber’s numerous awards are the Assay Office Prize from the British Jewellery Association and a grant from the Goldsmiths’ Company. Special thanks to The Pearson Silver Collection. "A Sterling Renaissance: British Silver Design 1957 to 2018" is on display, pre-security, in the International Terminal. http://bit.ly/BritishSilver
This image was posted on January 17, 2019.
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Martyn Pugh is a designer-silversmith who is known for creating modern forms with graceful and flowing lines.
This image was posted on December 28, 2018.
#britishsilver #silver #sterlingsilver #silverdesign #coffee #silversmith #silversmithing #handmade
Martyn Pugh is a designer-silversmith who is known for creating modern forms with graceful and flowing lines.
This image was posted on December 28, 2018.
#britishsilver #silver #sterlingsilver #silverdesign #coffee #silversmith #silversmithing #handmade
Rod Kelly’s pair of Carp vases, completed in 1987 for Garrard and Company, was the artist’s first major commercial commission.
This image was posted on February 06, 2019.
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"I see my work as a continual exploration into the possibilities within the technique of enameling and indulging the wonderful range of colors available to me.
This image was posted on November 14, 2018.
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"When invited to exhibit at the inaugural "Elements" silver show in Edinburgh…my memories of the Periodic Table hung in my science classroom…sparked the idea to use them as the basis for my piece, executed with a mixture of precision and freedom that I hope characterizes all my work."
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Jane Short studied jewelry at London’s Central School of Art and Design and was introduced to enameling by her instructor Patrick Furse (1918–2005) during her second year of coursework.
This image was posted on April 25, 2019.
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In designing his soup tureen and ladle, Chris Knight stated his intention to “take a breath and move away from [his] confrontational work to make a simple, functional piece of silverware” and “a small comment on the cross-cultural nature of modern society in the millennium…all nationalities have their soup.” Knight’s silverwork is held in private collections as well as public institutions, including the Victoria and Albert Museum, the Goldsmiths’ Company, and the Musée des Arts Décoratifs in Paris.
This image was posted on January 29, 2019.
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