@SFOMuseum Twitter Posts Tagged publicart This is SFO Museum's archive of the @SFOMuseum Twitter account. There are 230 posts and this is page 12 of 20. See all the tags or all the Twitter posts that have been archived so far.
"Waiting" is a photographic close-up of five figures involved in the familiar yet deeply symbolic drama of waiting in an airport for the return of loved ones. The photograph was translated into a digital image with each pixel represented by a one-inch mosaic tile. #PublicArt
This tweet was posted on July 13, 2022.
See “Green Map” by Ellen Harvey, on display, pre-security, on the first level of the Grand Hyatt at SFO. https://t.co/izglNebxZI
#publicart #EllenHarvey @SFAC
This tweet was posted on July 05, 2022.
Instead of focusing on cities, towns, and roads, this map features places like the Marin Headlands, Mount Tamalpais, and Point Reyes National Seashore. In doing so, the artwork celebrates the beautiful parks and open space that characterize the Bay Area.
#publicart #EllenHarvey
This tweet was posted on July 05, 2022.
“Green Map” by Ellen Harvey inverts the traditional idea of a map to highlight the region’s green space. A small gold circle indicates the location of the Grand Hyatt Hotel and @flysfo. Visitors are encouraged to explore the surrounding natural wonders.
#publicart @SFAC
This tweet was posted on July 05, 2022.
See “Untitled (On Becoming: Billy Katie 1964 #1-8)” by Tammy Rae Carland on display, post-security in Harvey Milk Terminal 1 and online at: https://t.co/qs2bUG7PJQ
#TammyRaeCarland #Pride #Photography #PublicArt
This tweet was posted on June 15, 2022.
By creating these images, #TammyRaeCarland produces a parallel between the camera’s ability to construct an imagined world and her parents’ constructed identities. She becomes her parents, who were never able to become their authentic selves.
#Pride #Photography #PublicArt
This tweet was posted on June 15, 2022.
#TammyRaeCarland’s presence is seen as she performs the roles of her mother, who was of mixed race, but tried to pass as white, and her Irish Catholic father, who was a closeted gay man. #Pride #Photography #PublicArt
This tweet was posted on June 15, 2022.
#TammyRaeCarland conceived the “On Becoming” series out of a desire to re-create a lost archive of her family. She said, “I had wanted an image of me in the presence of my parents.” #Pride #Photography #PublicArt
This tweet was posted on June 15, 2022.
Much of Carnwath’s work is about her own thoughts, reactions, and memories.
See “Fly, Flight, Fugit” by Squeak Carnwath on display, post-security in the International Terminal and online at: https://t.co/t9cHYElNXZ
#publicart #SqueakCarnwath
This tweet was posted on May 24, 2022.
See “Strangerhood” by Lordy Rodriguez on display, pre-security, on the arrivals level of Terminal 3, and online at: https://t.co/uvvuh8QO9e
#AAPIHM #LordyRodriguez #publicart #SanFrancisco @SFAC
This tweet was posted on May 17, 2022.
In his artwork, Rodriguez explores the identity of place, encouraging the viewer to think about the signifiers of place and how they influence our perception and experience of San Francisco neighborhoods.
#AAPIHM #LordyRodriguez #publicart #SanFrancisco @SFAC
This tweet was posted on May 17, 2022.
The Chinatown, North Beach, The Mission, The Castro, Haight-Ashbury, and Fisherman’s Wharf neighborhoods were chosen for “Strangerhood” because of their strong cultural identities and tourism economies.
#AAPIHM #LordyRodriguez #publicart #SanFrancisco @SFAC
This tweet was posted on May 17, 2022.











