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    @SFOMuseum Twitter Posts Tagged pineappletopina This is SFO Museum's archive of the @SFOMuseum Twitter account. There are 52 posts and this is page 1 of 5. See all the tags or all the Twitter posts that have been archived so far.

    See "From Pineapple to Piña: A Philippine Textile Treasure" on display, post-security, in Harvey Milk Terminal 1 and online at: https://t.co/WWq06Yg2xJ #PineappletoPina #piña #pineapple #lace #fashion #design #Philippines This tweet was posted on October 19, 2022.
    Pañuelos, likely inspired by shawls, provided protection from the sun as well as modesty due to the camisa’s sheerness and low neckline. Simultaneously, they served as the most decorative accents due to their lavish handwork embellishments. #PineappletoPina #pina This tweet was posted on October 19, 2022.
    The light and airy ensemble, which was perfectly suited to the humid climate, consisted of a blouse or camisa, a long skirt or saya, and a pañuelo or square piece of cloth folded several times and placed over the shoulders. #PineappletoPina #piña This tweet was posted on October 19, 2022.
    The blouse or camisa, featured bell-shaped sleeves or “angel wings,” and were often temporarily basted onto a camisa when worn, and then dismantled for washing, ironing, and flat storage. #PineappletoPina #piña This tweet was posted on October 19, 2022.
    The María Clara served as the formal female ensemble of the Philippines in the late nineteenth century. The romantic outfit, often worn by mestizas or women of mixed Philippine and Spanish descent, combined Indigenous and Spanish influences. #PineappletoPina #piña This tweet was posted on October 19, 2022.
    See "From Pineapple to Piña: A Philippine Textile Treasure" on display, post-security, in Harvey Milk Terminal 1 and online at: https://t.co/WWq06Yg2xJ #PineappletoPina #piña #pineapple #lace #fashion #design #Philippines This tweet was posted on September 27, 2022.
    Handkerchiefs display an variety of handwork to showcase embroiderers’ talent and skills. Intricately embroidered handkerchiefs even made appropriate gifts for royalty. The small items sometimes also served as keepsakes and were part of a genteel lady’s attire. #PineappletoPina This tweet was posted on September 27, 2022.
    See "From Pineapple to Piña: A Philippine Textile Treasure on display, post-security, in Harvey Milk Terminal 1 and online at: https://t.co/WWq06XYZvJ #PineappletoPina #piña #pineapple #lace #fashion #design #Phillippines This tweet was posted on September 13, 2022.
    The production of piña is naturally “green,” with farmers and artisans crafting this Philippine national treasure from a sustainable resource that is free of pesticides and produced in a chemical-free process. #PineappletoPina #piña This tweet was posted on September 13, 2022.
    Contemporary piña is often combined with other fibers, primarily silk (piña seda). In addition to embroidery, fabric may instead have painted or printed designs. #PineappletoPina #piña This tweet was posted on September 13, 2022.
    Although the Philippine Textile Research Institute began exploring ways to mechanize piña with machine-assisted fiber extraction as early as the 1970s, hand production by small enterprises still predominates. #PineappletoPina #piña This tweet was posted on September 13, 2022.
    See "From Pineapple to Piña: A Philippine Textile Treasure" on display, post-security, in Harvey Milk Terminal 1 and online at: https://t.co/WWq06Yg2xJ #PineappletoPina #piña #pineapple #lace #fashion #design #Philippines This tweet was posted on August 29, 2022.
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