@SFOMuseum Twitter Posts Tagged blackhistorymonth This is SFO Museum's archive of the @SFOMuseum Twitter account. There are 43 posts and this is page 1 of 4. See all the tags or all the Twitter posts that have been archived so far.

All photos © Ethan Kaplan Photography “They are Us, Us is Them" and "Impossibly” by Hank Willis Thomas are on display, post-security, in Harvey Milk Terminal 1. https://t.co/0vpyrA7XGY @sfac #BlackHistoryMonth #SFAC #publicart #HankWillisThomas #language #lenticular This tweet was posted on February 27, 2024.

In "Impossibly," the words “possible,” “possibly” and “impossible” easily shift from optimism to pessimism and back again. In each of these text-based works, we are asked to alter our initial interpretation and consider multiple perspectives at once. @sfac #BlackHistoryMonth This tweet was posted on February 27, 2024.

In "They are Us, Us is Them," the phrase alters between third person and first person perspective, forcing us to question the artificial boundaries that separate us from one another. @sfac #BlackHistoryMonth This tweet was posted on February 27, 2024.

Hank Willis Thomas uses language and the form of the lenticular print to challenge our subjective perspective. Lenticulars require the viewer to activate the work, as the embedded image changes when observed from different positions. @sfac #BlackHistoryMonth This tweet was posted on February 27, 2024.

See “Number 69S” by Leonardo Drew on display, post-security, in Harvey Milk Terminal 1. https://t.co/iV8JNqqiB8 #PublicArt #LeonardoDrew #BlackHistoryMonth This tweet was posted on February 28, 2023.

The individual components of “Number 69S” are all remnants from past work in various stages of distress. Drew intends his work to resonate with a wide cross-section of viewers, who carry within themselves a multitude of life experiences. #LeonardoDrew #BlackHistoryMonth This tweet was posted on February 28, 2023.

Using off-the-shelf materials and the occasional found object, Leonardo Drew creates sculptures whose metaphorical power is located within his labor-intensive manipulation of materials and the spatial dynamics of his compositions. #LeonardoDrew #BlackHistoryMonth This tweet was posted on February 28, 2023.

“My work really is about a weathered history of our journey on this planet—the cycle of birth, life, death and regeneration.” – Leonardo Drew #BlackHistoryMonth This tweet was posted on February 28, 2023.

See “Time, Turn, and Light” by Woody De Othello on display, post-security, on the Outdoor Terrace Observation Deck in the International Terminal. https://t.co/RV1ULkC0Zx #PublicArt #WoodyDeOthello #BlackHistoryMonth @SFAC This tweet was posted on February 22, 2023.

These objects are rendered in an uncanny fashion with a sense of play, emotional intuition, and surrealism that provokes viewers to reimagine themselves and the way they view the world around them. #PublicArt #WoodyDeOthello #BlackHistoryMonth This tweet was posted on February 22, 2023.

“Time, Turn, and Light” by Woody De Othello depict ambiguous sets of hands interacting with everyday objects such as clocks, a flashlight, a candle, and a doorknob. #PublicArt #WoodyDeOthello #BlackHistoryMonth This tweet was posted on February 22, 2023.

See “Prisoners Repast” by David Huffman on display, post-security, in Harvey Milk Terminal 1. https://t.co/CV6GNxr1rH #PublicArt #DavidHuffman #BlackHistoryMonth This tweet was posted on February 17, 2023.