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Over time, the traditional Cajun waltzes and two-steps played on the accordion fused with rhythm-and-blues, blues, and eventually, rock-and-roll to create a uniquely new Creole sound called zydeco. Clifton Chenier (1925–87), considered the “King of Zydeco,” invented and popularized the musical genre to audiences nationwide as well as in Europe. Chenier’s father, a farmer, played music on the accordion at Creole dances. Rather than use the traditional button accordion typical in Cajun and Creole music, Chenier played a piano accordion, which can play in any key. "Down-Home Music: The Story of Arhoolie Records" is on display, post-security, in Terminal 2. http://bit.ly/StoryofArhoolie
This image was posted on November 03, 2018.
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The French-speaking settlers who left the Acadian region of Canada for southwest Louisiana in 1764 became known as Cajuns.
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By the mid-1950s, record companies released the majority of rhythm-and-blues and rock ‘n’ roll songs as 45-rpm singles.
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Arhoolie Records’ subsidiary label Blues Classics was the first to reintroduce the work of Memphis Minnie (1897–1973) to a new (and largely white) audience.
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The Astronauts formed in Boulder, Colorado, in the late 1950s.
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During the summer of 1961, Dick Dale and his Del-Tones played dances known as “stomps” to thousands of teenagers in Southern California.
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Narciso Martínez (1911–92), the father of Texas-Mexican conjunto/norteño and its most influential early accordion player, made his first recordings in 1936, which this album contains.
This image was posted on November 20, 2018.
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Like their counterparts in the United States, international instrumental bands in the late 1950s and 1960s were influenced by rhythm and blues and rock ‘n’ roll.
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This post mentions the following things involved with the SFO Museum collection:
Down-Home Music: The Story of Arhoolie Records
This nonaviation exhibition was on display between September 2018 and June 2019 in the 2A Boomerang Gallery gallery, located in Terminal 2






