@SFOMuseum Twitter Posts Tagged streamlinesaesthetics This is SFO Museum's archive of the @SFOMuseum Twitter account. There are 31 posts and this is page 1 of 3. See all the tags or all the Twitter posts that have been archived so far.

"Streamlines: Air Age Aesthetics for Industrial Design" is on display, pre-security, in the Aviation Museum and Library in the International Terminal. https://t.co/Xjin8C1FFr #StreamlinesAesthetics This tweet was posted on August 07, 2019.

Perhaps the most streamlined iron design to enter the market was the 1941 Petipoint, designed by Clifford Brooks Stevens and Edward P. Schreyer with a pointed teardrop shape, wing-like projections, and a curved handle with speed lines. #StreamlinesAesthetics This tweet was posted on August 07, 2019.

"Streamlines: Air Age Aesthetics for Industrial Design" is on display, pre-security, in the Aviation Museum and Library in the International Terminal. https://t.co/Xjin8C1FFr #StreamlinesAesthetics This tweet was posted on July 26, 2019.

#RichardNeutra’s tubular aluminum chair featured a simple, clean aluminum frame that suggested the sweptback, teardrop shapes of aircraft and came with removable seat and back cushions. #StreamlinesAesthetics This tweet was posted on July 26, 2019.

#RichardNeutra’s circa 1936 tubular aluminum chair is emblematic of the types of streamlined chair designs that entered the market in the late 1930s. #StreamlinesAesthetics This tweet was posted on July 26, 2019.

"Streamlines: Air Age Aesthetics for Industrial Design" is on display, pre-security, in the Aviation Museum and Library in the International Terminal. https://t.co/Xjin8CjgwZ #StreamlinesAesthetics This tweet was posted on July 10, 2019.

The Remington Rand Streamliner #typewriter was designed by John Adam Zellers (1873–1954) and Herbert E. Bridgewater (1878–1970) with an external rounded housing reminiscent of a streamlined plane or train, as its name suggests. #StreamlinesAesthetics This tweet was posted on July 10, 2019.

During the late 1930s, appliances for the office and home underwent a major transformation. #Typewriters, once boxy with sharp edges and protruding parts, metamorphosed into machines with smooth, flowing appearances. #StreamlinesAesthetics This tweet was posted on July 10, 2019.

"Streamlines: Air Age Aesthetics for Industrial Design" is on display, pre-security, in the Aviation Museum and Library in the International Terminal. https://t.co/Xjin8CjgwZ #StreamlinesAesthetics This tweet was posted on July 03, 2019.

To complement the small-scale metal models, Victor Pastushin created aerodynamic trays and arm mounts. The “Airtray" quickly gained in popularity, and was followed by Airtrays of the Douglas DC-3 and the Boeing 307 Stratoliner. #StreamlinesAesthetics This tweet was posted on July 03, 2019.

In 1934, Douglas Aircraft employee Victor Pastushin designed chromed-metal Transcontinental & Western Air (TWA) Douglas DC-2 ashtrays. #StreamlinesAesthetics This tweet was posted on July 03, 2019.

"Streamlines: Air Age Aesthetics for Industrial Design" is on display, pre-security, in the Aviation Museum and Library in the International Terminal. https://t.co/Xjin8CjgwZ #StreamlinesAesthetics This tweet was posted on June 10, 2019.