@SFOMuseum Twitter Posts Tagged aapihm This is SFO Museum's archive of the @SFOMuseum Twitter account. There are 53 posts and this is page 1 of 5. See all the tags or all the Twitter posts that have been archived so far.

Indian American director Hrishi Bardha shares the story of a young girl struggling to bury her pet bird in fear of it haunting her. His film highlights Hinduism in America and the difficulties of preserving one’s traditions and heritage. #VideoArtsSFO #AAPIHM https://t.co/8bm497Jibw This tweet was posted on May 23, 2024.

See “Birdsong” by Hrishi Bardhan in the Video Arts Gallery, located pre-security in the Mayor Edwin M. Lee International Terminal Departures Hall, open daily from 8:00am to 10:00pm. Learn more about this month’s films at: https://t.co/0w9AVtR2Mf #VideoArtsSFO #AAPIHM This tweet was posted on May 23, 2024.

See “Take Off” by Hung Liu on display, post-security, in the International Terminal above Gates A6 and A7 and online at: https://t.co/dUf0BSNixq #HungLiu #PublicArt #AAPIHM #SFAC This tweet was posted on May 21, 2024.

See “Sweet Memories” by Jessica JM Wu in the Video Arts Gallery, located pre-security in the Mayor Edwin M. Lee International Terminal Departures Hall, open daily from 8:00am to 10:00pm. Learn more about this month’s films at: https://t.co/0w9AVtR2Mf #VideoArtsSFO #AAPIHM This tweet was posted on May 16, 2024.

Asian Canadian director Jessica JM Wu shares a feel-good narrative music video of a Japanese schoolboy who fails to woo his crush and his elaborate plan to try and win her back. #VideoArtsSFO #AAPIHM https://t.co/GGzN03vzqQ This tweet was posted on May 16, 2024.

A very special thank you to Forrest L. Merrill for making this exhibition possible. See "Kay Sekimachi: Weaving Traditions" on display, post-security, in Harvey Milk Terminal 1 or online at: https://t.co/6dR9pasyoc #KaySekimachiWeaving #KaySekimachi #AAPIHM This tweet was posted on May 15, 2024.

With her preference to focus on one media and technique at a time, Sekimachi then substituted linen for monofilament and created the Marugawa series of card-woven tubes, naming them for a Japanese word that translates to “round river.” #KaySekimachi #AAPIHM This tweet was posted on May 15, 2024.

To weave such long and complex shapes off the loom, Sekimachi employed a six-foot-long, cribbage-like board made by her husband, the master woodturner Bob Stocksdale (1913–2003), that could accommodate up to 400 warp threads and 100 cards. #KaySekimachi #AAPIHM This tweet was posted on May 15, 2024.

Sekimachi created a series of hanging sculptures that she named “River,” stating, “I thought of them as rivers because they were narrow and long and sometimes the warp threads were twisted and sort of hung free, and then they came together again.” #KaySekimachi #AAPIHM This tweet was posted on May 15, 2024.

Building on the success of her loom-woven sculptures, in the 1970s fiber artist Kay Sekimachi adapted nylon monofilament to the centuries-old, off-loom technique of card weaving. #KaySekimachi #AAPIHM This tweet was posted on May 15, 2024.

See “This Infinite Gateway of Time and Circumstance” by Jacob Hashimoto, pre-security, above the Quail Crane restaurant in the Grand Hyatt and online at: https://t.co/AKPduDJtg7 #SFAC #PublicArt #AAPIHM This tweet was posted on May 10, 2024.

“This Infinite Gateway of Time and Circumstance” creates the impression of a landscape drifting in & out of visibility through clouds, or slowly becoming subsumed by a descending marine layer. #SFAC #PublicArt #AAPIHM This tweet was posted on May 10, 2024.