@SFOMuseum Twitter Posts Tagged AAPIHM This is SFO Museum's archive of the @SFOMuseum Twitter account. There are 53 posts and this is page 2 of 5. See all the tags or all the Twitter posts that have been archived so far.
“This Infinite Gateway of Time and Circumstance” transforms as images of earth, sea and various graphics give way to a gradient of translucent whites, revealing what Hashimoto envisioned as “a cloud of kites, & a landscape of air & earth, painted at the edge of the sky.” #AAPIHM
This tweet was posted on May 10, 2024.
Composed of over 3,500 individual kite-like ellipses, “This Infinite Gateway of Time and Circumstance” by Jacob Hashimoto is an immersive sculpture that floats between two floors of the Grand Hyatt at SFO as an undulating, interwoven canopy. #SFAC #PublicArt #AAPIHM
This tweet was posted on May 10, 2024.
See “Pigeon” by Sang Joon Kim in the Video Arts Gallery, located pre-security in the Mayor Edwin M. Lee International Terminal Departures Hall, open daily from 8:00am to 10:00pm. Learn more about this month’s films at: https://t.co/0w9AVtR2Mf
#VideoArtsSFO #SangJoonKim #AAPIHM
This tweet was posted on May 09, 2024.
Sang Joon Kim, a Korean American director based in New York, shares his frustrations about people and living in urban environments, while realizing that he has become just like everyone else. #VideoArtsSFO #AAPIHM https://t.co/7a0xgMdd5M
This tweet was posted on May 09, 2024.
See “Have You Eaten Yet” by Christina Xing in the Video Arts Gallery, located pre-security in the Mayor Edwin M. Lee International Terminal Departures Hall, open daily from 8:00am to 10:00pm. Learn more about this month’s films at: https://t.co/0w9AVtR2Mf
#VideoArtsSFO #AAPIHM
This tweet was posted on May 02, 2024.
Chinese American director Christina Xing stars in her own film about a phone call between a traditional Chinese mother and her American born Chinese daughter. This film deals with the complex dynamics between generations, culture, and family. #VideoArtsSFO #AAPIHM https://t.co/6V7m85oXr7
This tweet was posted on May 02, 2024.
Due to their complexity, each of Sekimachi's monofilament design was carefully plotted on graph paper prior to weaving. As she developed her first series, Sekimachi’s monofilament sculptures grew progressively larger and more intricate. #KaySekimachi #AAPIHM
This tweet was posted on May 01, 2024.
A very special thank you to Forrest L. Merrill for making this exhibition possible. See "Kay Sekimachi: Weaving Traditions" on display, post-security, in Harvey Milk Terminal 1. https://t.co/6dR9pasyoc
#KaySekimachiWeaving #KaySekimachi #AAPIHM
This tweet was posted on May 01, 2024.
Fiber artist, Kay Sekimachi is Nisei, a second-generation Japanese American, born in San Francisco’s Japantown in 1926. Sekimachi’s series of monofilament sculptures began in 1963 as an experiment to weave a wall hanging in multiple, translucent layers. #KaySekimachi #AAPIHM
This tweet was posted on May 01, 2024.
After weaving a linen sample, Sekimachi realized she could produce three-dimensional forms using a nylon monofilament material (now commonly known as fishing line) that DuPont introduced in 1959. #KaySekimachi #AAPIHM
This tweet was posted on May 01, 2024.
See “Gateway” by Ik-Joong Kang on display, pre-security, in the Mayor Edwin M. Lee International Terminal Departures Hall and online at: https://t.co/iH2aPadptv
#IkJoongKang #APAHM #AAPIHeritageMonth #AAPIHM
This tweet was posted on May 31, 2023.
The 3-inch canvases were small enough for Kang to carry in his backpack and paint on the subway.
#IkJoongKang #APAHM #AAPIHeritageMonth #AAPIHM
This tweet was posted on May 31, 2023.